In a world filled with unrest and uncertainty, I was drawn to the simple yet uplifting mantra in Kara’s track.
Apart from adding a touch of vocal processing, I chose to leave her performance largely untouched,
preserving its natural warmth and allowing the arrangement to breathe with an open, laid-back feel.

The bassline closely follows the vocal melody, which, as a bass player, was a refreshing departure
from my usual approach of building around a riff. To add a little extra ear candy,
I dipped into a wealth of sounds from an old Sony Acid Pro sample library, complemented by some of my go-to Hive and Avenger presets.